Table Of Content
- How Tijuana leather designer Kiko Baez ended up working with Latin music’s biggest stars
- More From the Los Angeles Times
- DIY won’t die: Denver’s Echo Beds on building their own instruments and life after Ghost Ship
- years of DJ Deeon: 20 of the ghetto house pioneer's best releases
- ‘Ass In the Air’, from ‘Ass In The Air’ EP (Ghetto Test)
- New Weird South America is a polyglot’s fantasy
No cause of death was provided, although the producer has suffered myriad health issues including cancer, multiple strokes, diabetes, quadruple bypass surgery and a leg amputation. The producer recapped his list of health challenges in a 2020 fundraiser to cover his medical bills. Last week, he posted a photo of himself in the hospital with the caption “pray for me.” NPR reported that Deeon was 56-years-old.
How Tijuana leather designer Kiko Baez ended up working with Latin music’s biggest stars
Unfortunately for my fellow screenagers, the full version of this EP is only available on vinyl, but if you manage to get your hands on it, no doubt the rest of the compilation bangs.
More From the Los Angeles Times
However, Kelson’s parents redoubled their commitment to the Baldwin Hills. In 1961 when she was 13, her family moved into a bigger home in Baldwin Hills Vista, with breathtaking views of the Baldwin Hills Dam. Though Kelson felt no tension at the multi-racial, demographically shifting Dorsey High School, there were some white Baldwin Hills neighbors who made their displeasure known. Soon, predatory real estate agents were convincing white homeowners it was time to leave the neighborhood before their property value plummeted due to their new Black neighbors. Kravitz had grown up in the house with his mother, the actress Roxie Roker, and his father, television producer Sy Kravitz, during the 1970s. Roker, a star of The Jeffersons, was one of the many Black celebrities who lived in Baldwin Hills.
Chicago House star DJ Deeon dies aged 56 - NME
Chicago House star DJ Deeon dies aged 56.
Posted: Tue, 18 Jul 2023 07:00:00 GMT [source]
DIY won’t die: Denver’s Echo Beds on building their own instruments and life after Ghost Ship
"Pump That Shit Up" is definitely a prime example of a ghetto house track from the West Side [of Chicago]. It's also a classic Jammin Gerald track—he's always innovative and different, the best remixer on the release. When I first heard this track, it made me play the rest of the 12". But this one was my favorite." First up on the list is this absolute classic from the mid-'90s. It's a beautiful example of four-to-the-floor ghetto house excellence, and has been sampled countless times by electronic music makers since its release. It landed as part of DJ Deeon’s first EP, ‘Funk City, which graced record stores via the influential Dance Mania imprint in 1994.
under-the-radar club tracks you need to hear: December 2019
’ imperatives, the winning track for me is ‘Freak U Rite’ - a stripped-back cut featuring a smooth '00s R&B vocal sample from Usher. This is the debut of The Interview, The New York Times’s new weekly series, featuring in-depth conversations with fascinating people. Each week, David Marchese or Lulu Garcia-Navarro will speak with notable figures in the worlds of culture, politics, business, sports, wellness and beyond. Like the magazine’s former Talk column, the conversations will appear online and in print, but now you can also listen to them in our new weekly podcast, “The Interview,” which is available wherever you get your podcasts. Below, you’ll find Lulu’s first interview with the Israeli opposition leader Yair Lapid; David’s first interview, with the actress Anne Hathaway, is here. “I want to give opportunities for the many people who are underrepresented in our artistic community,” Hall says.
years of DJ Deeon: 20 of the ghetto house pioneer's best releases
“He wanted something hardcore and risque,” and he coined the term “ghetto house” before a single track ever existed. Barney would offer little more than ideas like ‘Whose Pussy Is This’ and ‘Masturbation’, and Mitchell would go off and create tracks that were just as raw as their titles. “Everyone’s talking about love and having a good time, let’s do something left-field,” Mitchell recalls Barney saying. Victor Romeo gave way to Parris Mitchell, reinventing his moniker for this nascent genre. During his youth, Mitchell attended music schools in the city, training on guitar and playing in bands. As a 16-year-old, he pressed his first record with a disco act called The Generation, getting local radio play but not much else.
Hours In Ho Chi Minh City: Things To Do
I grew up listening to hip-hop, and coming of age in the 1990s meant that there was a lot of West Coast hip-hop involved. DJ Deonn poses in an image for Dancemania Delights Volume 4!!! It's not often in life that you find yourself sharing a glass of tap water with a musical pioneer, but there I was in a not-quite-open-yet BBQ restaurant in Brixton enjoying a beaker of the Thames' finest with Chicago legend DJ Deeon. Sadly the kitchen wasn't serving up the usual steaming plates of sticky ribs and nuclear-orange buffalo wings.
‘Ass In the Air’, from ‘Ass In The Air’ EP (Ghetto Test)
The Robert L. Adams Mortuary, famous for being the only drive-through funeral home in California, and one of only three in the US. The mortuary became popular with gang members in the 1980s who needed a speedy and safe way to say goodbye to their friends and loved ones after a string of cemetery shootouts and features, amongst other things, bulletproof glass. The back streets of Compton, where you can buy ice-cream from an ice-cream truck and drugs from the houses to the side. The first stop on the tour (which doesn’t always take the same route or take in the same sights) was Baldwin Hills which is in South Central and is where you live if you’re in the hood and have money according to James. There are some nice big homes up here and the view is fantastic – nothing like the stereotypical image of the hood. LOS ANGELES | Visiting “The Hood”, and Compton and South Central (called South Los Angeles today) in particular, is one of the many reasons that Los Angeles was on my list of cities to travel to for a long time.
Often looking to art and music as tools and sources of inspiration, she finds her passion for the arts, writing and her community all come together within the context of journalism. There is no universal definition for what makes an area a ghetto, so people's perceptions vary. Some say it is when there is only one major employer within walking distance, while others use median income as their defining factor. Manning has seen an increase in white buyers, many who have young families, leading to shifting demographics. Many Black residents are getting older and finding they can sell homes purchased for $20,000 decades ago for over $1 million.
Mitchell’s house music career almost ended before it began. In 1986, he tried to make records with Rocky Jones at DJ International and Larry Sherman at Trax, but neither effort materialized. “I gave up on house music for about a year,” he says. Eventually, Mitchell befriended Trax A&R/’On and On’ co-writer/house innovator Vince Lawrence, who introduced him to everyone in the scene, including distribution heavyweight Ray Barney, who ran Chicago hub Barney’s Records. After hearing his cassette, Barney released Mitchell’s first house record, ‘You Can’t Fight My Love’, on Bright Star Records, under the serendipitous alias Victor Romeo.
The safe route to go is to just do what we’re doing,’” said Baez. Regardless, once again these definitions rely on external factors such as where employers are located and how much money average residents make. What defines a ghetto in any given place changes over time due to economic circumstances and personal preferences.
Though he was a much-loved staple at house parties, it took longer than it should have for clubs to catch on to his pioneering sound; unperturbed, he’d take to throwing his own parties in gymnasiums. Check out some of the best tracks from his 29-year strong career below. I'd been summoned to South London on an overcast Friday afternoon to meet a man who many claim invented the rough-hewn form of 4/4 Chicago dance music known as "ghetto house." Deeon was in town to play only his third gig in London ever.
Coming in as the first instalment of Juke Trax’s “online” series, which featured artists such as the late DJ Rashad, this album weaves through new material from Deeon as well as remixes and updated versions of older tracks. My personal favourite in this series has to be ‘Grove Mode 2k1’, which delivers exactly what's promised. Another one of Deeon’s better known works, 'The Freaks' EP, delivers pure booty blasting, shoulder shrugging, groove-worthy Chicago house. Though the titular-track packs a hefty punch with its bass-led pulsations and oh-so-sampled “work it work it!
I asked James if he thought things would ever change and he stated that while things are better today than they were in the 1980s and 1990s, he doesn’t see real change happening any time soon. Something I found interesting was reading up on the demographic changes that have occurred in Compton over the years. Chicago-based ghetto house pioneer DJ Deeon has died.
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